Voice
- Date:
3, 6, 7 and 9
October, 8 p.m.
- Duration: 170 min
- Hall: Main Auditorium
Melodies of passion
Exoticism and tragedy. Passion and betrayal. Imperialism and cultural differences. The drama of the gentle geisha Cio-Cio- San, in love with American marine Second Lieutenant Benjamin Franklin Pinkerton, chained to the poignant arias of Puccini, she continues to touch the hearts of audiences. How can one resist Viene la sera or Un bel di vedremo? Puccini sweeps us into his music. We succumb to the heights of melodrama.
In a coproduction of the Festival Castell de Peralada and the Deutsche Opera am Rheim, with two casts for five performances of an opera which, beyond its multiple readings, is a whirlwind of desire and frenzied love, of deception and lies, of the fragility and fantasy of love and how a woman’s obedience to a traditional code of honour leads to her tragic death.
- Musical director: Alain Guingal
- Stage Director: Joan Anton Rechi
- Set design: Alfons Flores
- Costume design: Mercè Paloma
- Lighting design: Alberto Rodríguez
Coproduction of the Festival Castell de Peralada and the Deutsche Oper am Rhein
*October 7 performance
- Madama Butterfly: Ermonela Jaho / Carmen Solís*
- B.F. Pinkerton: Jorge de León / Enrique Ferrer*
- Sharpless: Damián del Castillo / Gerardo Bullón*
- Suzuki: Gemma Coma-Alabert / Cristina Faus*
- Goro: Moisés Marín
- Uncle Bonzo: Pablo López Martín
- Prince Yamadori / Imperial commissar: José Manuel Díaz
- Kate Pinkerton: Diana Larios
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Musical director
Alain Guingal
Considered one of today’s most acclaimed conductors of French repertoire, has conducted La traviata, Les contes d’Hoffmann, Les pêcheurs de perles, Lucia di Lammermoor, Madama Butterfly, Carmen on the important stages in Vienna, Madrid, Barcelona, Torino, Marseille, among others. His most recent engagements have included Rigoletto, Manon, Roméo et Juliette and Werther.
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Stage Director
Joan Anton Rechi
Joan Anton Rechi studied theatre and Ancient History in Barcelona. As a stage director, his repertoire includes Il barbiere di Siviglia, L’elisir d’amore, Così fan tutte, L’italiana in Algeri, Werther, Un ballo in maschera, among many others; his productions have been seen in Madrid, Barcelona, London, San Francisco or Buenos Aires. Upcoming engagements will take him to Tel-Aviv, Venice and other stages.
Actividades paralelas
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En torno a... Madama Butterfly
Sábado 2 de octubre, a las 19.00 horas.
Vestíbulo principal del Teatro
Carmen Solís y Joan Anton Rechi
Modera: Ignacio Trujillo
Acceso libre y gratuito hasta completar aforo.
En colaboración con la Asociación Sevillana de Amigos de la Ópera (ASAO)
ASAOThe press says
Madame Butterfly’abre el telón del Maestranza con el teatro lleno
Su puesta en escena se podrá disfrutar los días 3, 6, 7 y 9 de octubre, y todavía hay entradas a la venta
Madama Butterfly inaugura la temporada del aforo completo en el Maestranza
El coro cantará con mascarilla y la Real Orquesta Sinfónica de Sevilla (ROSS) tocará reducida
El Teatro de la Maestranza de Sevilla abre temporada con Madame Butterfly y sin restricciones de aforo
La ópera cuenta con dos elencos para el rol principal, la soprano albanesa, Ermonela Jaho y la española Carmen Solís
Ermonela Jaho, una Butterfly a prueba de bombas
...funciona apoyada en la magnífica dirección de actores...
Madama Butterfly
La fragilidad y el desconsuelo de Butterfly son desgarradores...
Colabora
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