Voice

  • Date: 13, 18, 19, 21 and 22 June, 8 p.m.
    16 June, 7 p.m.
  • Duration: 150 min
  • Hall: Main Auditorium

Bel canto, Ice that Burns

Power, oppression, betrayal, exile, impossible love, religious conflict, and a clash of civilizations. Here is one of the frequent episodes in the history of opera where an actual event at the time of its premiere is told to us metaphorically, veiled in a historic transposition. In the Jerusalem and Babylonia of the 6th century B.C., the public of 1842 established an association between the ordeal of the Jewish people and the spirit of the Risorgimento (Italian nationalism). This was a way to shout out against the foreign oppression from which they were suffering at that moment.

The opera was Nabucco, an accidental commission which was received grudgingly but became a turning point for the future of Verdi. It reactivated his interest to compose -Verdi’s wife and two children had died in a two-year period – and initiated his “galley years”, that period of one success after another and a compulsive period of work which resulted in 17 operas in 12 years. Verdi’s assent began with Nabucco, a dramma lirico in four parts which erupted in the overture with a force of power unknown until then, and which extended through to the end of the work with stunning melodic progression, a breathtaking dramatic crescendo, a psychological study of its characters that was ahead of its time and a chorus that was carefully sculpted as one more element of the action. A high impact opera brimming with unforgettable moments.

There will be six performances with a double cast of markedly Hispanic names, led by baritone Juan Jesús Rodríguez and soprano María José Siri, along with bass- baritone Simón Orfila, in a new in-house production of the Maestranza, shared with other international theatres. The stage direction is by Christiane Jatahy and Sergio Alapont conducts the Royal Seville Symphony Orchestra and Chorus of the Teatro de la Maestranza.

 

Libretto by Temistocle Solera. Premiere at the Teatro alla Scala of Milan on March 9, 1842.
  • Musical director: Sergio Alapont / Gaetano Lo Coco*
  • Stage Director: Christiane Jatahy
  • Responsible for the revival: Marcelo Buscaino
  • Lights and set design: Thomas Walgrave
  • Costume design: An D'Huys
  • Diseño de vídeo: Batman Zavarese
  • Dramaturgy: Clara Pons

New production at the Teatro de la Maestranza in coproduction with the Grand Théâtre (Genève),Théâtres de la Ville (Luxemburg) and the Opera Ballet Vlaanderen

Real Orquesta Sinfónica de Sevilla
Coro Teatro de la Maestranza

  • Nabucco: Juan Jesús Rodríguez / Damiano Salerno*
  • Abigaille: María José Siri / Maribel Ortega*
  • Zaccaria: Simón Orfila / Dario Russo*
  • Fenena: Alessandra Volpe / Mónica Redondo*
  • Ismaele: Antonio Corianò / Santiago Vidal*
  • High Priest: Luis López Navarro
  • Anna: Carmen Buendía
  • Abdallo: Andrés Merino
  • 18 y 21 de junio: *

Panel discussion

Parallel activities

En torno a... Nabucco

June 12. 7 p.m.

Press Room (access by the reception of the Theater)
Admission free on a first-come basis

Asociación Sevillana de Amigos de la Ópera In collaboration with Teatro de la Maestranza

Photo: © Emilio Morenatti

ASAO

The press says

El Teatro de la Maestranza recupera 26 años después 'Nabucco', la ópera que consagró a Verdi

Se trata de una nueva producción del coliseo hispalense en coproducción con los teatros de Génova, de la Ville de Luxemburgo y la Opera Ballet Vlaanderen.

El "Nabucco" de Verdi llega a Sevilla con un mensaje de "paz y diálogo" entre los pueblos

Su estreno tendrá lugar el jueves 13 de junio, con funciones los días 16, 18, 19, 21 y 22 del mismo mes

Llega Nabucco, el pacifismo de Verdi

El Teatro de la Maestranza estrena este 13 de junio la ópera “Nabucco”, de Giuseppe Verdi, con dirección musical de Sergio Alapont y Gaetano Lo Coco

'Nabucco' despliega en el Maestranza "un mensaje de paz entre tanta violencia"

La ópera de Verdi, que tendrá seis funciones entre el día 13 y el 22, propone "una mirada de hoy", la de la directora de escena Christiane Jatahy.