Espectáculo finalizado


  • Date: 1 and 2 December, 8 p.m.
  • Duration: 90 min
  • Hall: Main Auditorium

The National Ballet of Spain dances Ruvén Afanador’s picture of flamenco

Put a image into movement. Bring photography, flamenco, and dance together in the same show. The view of Ruven Afanador, a valued Columbian fashion photographer who is also very well known for his portraits of celebrities from the world of film or music, and who has had a close connection with flamenco over the years, is the origin of a new choreography which the Ballet Nacional de España (BNE) presents as a premiere at the Teatro de la Maestranza.

Leaping over the rigid boundaries which, at times, separates different artistic expressions, choreographer Marcos Morau, director of the company La Veronal and recipient of the National Dance Award in 2013, starts with the ability of the photographer “to envision characters by forging real people” and his creativity to produce worlds which “arise from the beauty of light and shadows”, devising a show which is inspired by a photographic approximation to flamenco. Afanador has two books on the subject, Ángel gitano: The Men of Flamenco (2014) and Mil besos (2008); and he signed the poster for the Bienal de Flamenco in 2008. More than anything, and as an artist approaching the world of flamenco from the outside, he is in love with the genre and susceptible to a language which is “as direct and stinging as a sharpened razor” explains Morau.

To blend two different languages: photography and dance, in search of “a new universe”, to build new imagery from the viewpoint of another artist as an exercise of respect and fascination.

The National Ballet of Spain, directed by Sevillian Rubén Olmo, will dance this visual flamenco by Ruven Afanador. According to Morau, it constitutes “a radical and sombre beauty we cannot stop watching”.

  • Idea and artistic direction: Marcos Morau
  • Choreography: Marcos Morau & La Veronal, Lorena Nogal, Shay Partush, Jon López y Miguel Ángel Corbacho
  • Dramaturgy: Roberto Fratini
  • Set design: Max Glaenzel
  • Costume design: Silvia Delagneau
  • Musical composition: Juan Cristóbal Saavedra
  • Special collaboration: María Arnal
  • Lighting design: Bernat Jansà
  • Audiovisual design: Marc Salicrú
  • Photograph: Ruven Afanador

World premiere
New production of the Ballet Nacional de España

Ballet Nacional de España

The benchmark national dance company since it was founded in 1978 under the name of “Ballet Nacional Español”, with Antonio Gades as its first director. Its governing purpose is to preserve, spread and transmit the valuable Spanish patrimony of choreography, while recognising its variety of styles and traditions.

Rubén Olmo

Born in Sevilla, at the age of 9 he began his studies at the Conservatorio de Sevilla, where he graduated in Spanish dance and Classical ballet. Has danced in the with Compañía Javier Barón, Ballet Nacional de España and, in 2006, founded his own company. Awarded many prizes, since 2019 has been the director of the Ballet Nacional de España.

Diálogo sobre "Afanador", la danza y la fotografía

Parallel activities

Las claves de la obra en un diálogo sobre danza y fotografía

2 de diciembre, 12h.
Sala de prensa (acceso por la recepción del Teatro)

Conversación pública entre Juan María Rodríguez, director del Instituto Andaluz del Cine y la Fotografía, y el fotógrafo Ruven Afanador

Organiza: Centro Andaluz de la Fotografía, Teatro de la Maestranza y Ballet Nacional de España

Entrada libre y gratuita hasta completar aforo

Ruven Afanador

The press says

El universo visionario de Marcos Morau

Un espectáculo denso, complejo y realmente impresionante...

El Ballet Nacional en otra dimensión

Éxito de la compañía institucional en el estreno absoluto de 'Afanador' en el teatro de la Maestranza

Una gran producción del Ballet Nacional

Se trata, sin duda de una gran producción que tiene todos los ingredientes para alcanzar un éxito notable,